End of Fall - Contempt [REVIEW]

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Genre(s): Melodic Metalcore

End of Fall is a melodic metalcore band that hails from Germany. They have released two albums thus far in their musical career. An EP titled Shadowed Leaves that was released back in 2012, and Contempt that was released in May of 2014. I will be reviewing the band's sophomore album, Contempt. It is the band's first full length album, with 10 songs and about 40 minutes worth of listening materials. 

Each song varies in length, two of the songs,"Contempt" and "Second Choice" are the longest on the album. The problem with lengthy songs is that they sometimes become boring and/or repetitive. "Contempt" breaks that stereotype, as the band provides a lot of variety throughout the song, mixing chugging metalcore, guitar melodies, and small breaks here and there throughout the song. The other lengthy song, "Second Choice" is different than "Contempt" as the song is a lot more melodic, has more calm sounding parts, and has good transitions between different parts of the song.

The heavier songs on the album are "Lie For Your Life," "Marionette Circus," "Heroine," and "Death Comes As A Release." On that note, the vocals in "Death Comes As A Release" remind me of Anders Friden's (vocalist of In Flames) vocals quite a bit. Moreover, it is my favorite song from this album. This is because it has solid melodic instrumentals, the vocals have a good amount of variety, and the synth is well placed and not overused.

This review only gives you a small taste of the album brings to the table. End of Fall provides some solid sounding melodic metalcore to their listeners. Bottom line, Contempt is an okay album. There are a lot of good elements in the album, but nothing that makes it stand out, or give me the, "Holy shit" kind of reaction to any of the songs. However! If you're into melodic metalcore, you'll definitely enjoy this, so check it out through the band's website!

Score: 3/5

Unbibium - CXXII [REVIEW]

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Genre(s): Progressive Deathcore

CXXII is Unbibium's debut EP, and was released on May 1, 2014 through Razor Tooth Records. The band combines elements of beatdown hardcore and progressive metal to bring a heavy-hitting sound of progressive deathcore. However, even though it is on the side of heaviness, nothing really stands out in the EP. I will go more into detail later about that.

 

 The EP is seven tracks long and provides the listener with roughly 30 minutes worth of listening material. For the price they put on the album, it is worth the purchase. Unbibium combines elements beatdown with progressive metal, but in some songs there is more of one than the other. The more progressive songs on the album are "Obsession," "Perilous Progress," and "Monsters." The others that are more on the beatdown side of things are "Lions," "War Machine," and "CXXII." The last song, "Destroyer," has a nice combination of both beatdown and progressive. That being said, "Destroyer" is my favorite song on the album.

CXXII is a solid EP and is a step in the right direction for Unbibium. They have released a well put together deathcore album, and the only thing they can do is improve upon CXXII with their next release. To reiterate what I said in the introduction, nothing really stood out to me in the album. I found myself listening to it and not realizing I was on the last song, as the songs sound very similar and mesh together in a listen through, even with the songs' respective differences. Other than that, CXXII is well worth the asking fee, so pick it up if you're into progressive deathcore with beatdown influences!

Score: 3.5/5

Cogntive - Cognitive [REVIEW]

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Genre(s): Technical Death Metal/Deathcore

New Jersey based technical death metal/deathcore act, Cognitive, has recently released their debut full length Cognitive through Pathologically Explicit. This album is the band's second release, the first being their EP, The Horrid Swarm back in 2012, which I reviewed as well. 

In a vague description, Cognitive is a combination of technical death metal with some deathcore aspects thrown in. But if you are to look deeper into the album, there is a lot more there. It is a very fast paced album, and if you are not paying attention, you may not even realize you listened to the entire thing. The combination of brutal sounding death metal and its "in your face" sound is prevalent in most of the album, like in "Cut The Fuck Up," "World's Beneath," and "Fire from the Sky." That's not all they have in this album as they provide well done melodies in some of the tracks, like in "Affliction Humanity," "Oceanic Erosion," and "Regurgitated Existence." But, that's not all, there is great sounding groove elements, like in the song "Blood Hungry."
 

If you are a fan of death metal and other sub-genres of metal; groove, technical, brutal death, melodic death, and deathcore. Then this album has everything you could possibly want out of an album. I definitely recommend this album to any fan of death metal. So! If this album sounds good to you, go pick it up from Pathologically Explicit's Big Cartel (linked above)!

Score: 5/5

I Declare War - We Are Violent People By Nature [REVIEW]

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Genre(s): Deathcore

I Declare War's new album, We Are Violent People By Nature, is set to officially release on April 15, 2014. However, several MerchNOW pre-orders were shipped and received early, like mine. So I was able to listen to it a few times through, and thus decided to do expand on the mini review I posted on our Facebook page. Anyway, to the review!

We Are Violent People By Nature is the second release by I Declare War with new vocalist Jamie Hanks, this album follows their 2011 self-titled release I Declare War, which brought a big change to what I Declare War sounds like. The change was from a brutal death metal type of sound, when they had Jonathan Huber as a vocalist, to a guitar chugging, overly loud and heavy, deathcore sound. The album itself is ten songs long and has roughly 35 to 40 minutes worth of listening material. 

The band kept the same kind of sound they had in their self-titled release I Declare War, but added upon it with some technical guitar parts in some songs, like "Quiet" and some different types of vocal parts, like gutturals in "Shadow Man." Outside of some differences here and there, not much changed from the last album and this one. However, the album itself sounds a lot better, it is like they honed their craft to the best of their abilities and put it into this album.

 

Of course, in a different light, you can say the album is quite boring with its repetitive instrumentals and lack of diversity in the vocals. This album may be for you for those reasons alone, and that's understandable, but for those who are into the kind of music, they will absolutely enjoy this album. Basically, if you like I Declare War's self-titled album that released back in 2011, you'll like (if not love) this album. If you're into chuggy deathcore, you'll also like this album. But if you're not into either of those things, you will not like this album.

Score: 4/5

Beneath The Remains - Demo [REVIEW]

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Genre(s): Groove/Melodic Metalcore

Beneath The Remains' three track demo was released earlier this year (or sometime late 2013, there is no release date I can find). The demo consists of three songs, "Pray for Pain," "Angels & Demons," and "Straight Out of Hell." This demo reminds of how metalcore use to do sound like, before the overuse of guitar chugging, unneeded clean singing, random breakdowns, etc. 

 

Beneath The Remains sticks to an old school metalcore type of sound with the mix of groove metal. The song that portrays the most groove and old school type of metalcore sound is "Pray for Pain." The song has the best audio quality out of the three. "Angels & Demons" has a bit more guitar chugging it, and "Straight Out of Hell" has a lot more riffs than the other two songs, also it has a guitar solo near the end of the song. They do keep to some guitar chugging as well in the song too. Overall, Beneath The Remains' demo is solid and their upcoming EP, I expect, to be good. So, keep on the lookout for the band!

Score: 3.5/5

The Brothers Highhorse - A Graveyard for Lunatics [REVIEW]

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Genre(s): Deathcore

The Brothers Highhorse's newly released single "A Graveyard for Lunatics" is roughly four minutes long. They combine some elements of black metal, mostly heard in the vocals, with standard deathcore. The pace of the song is fast, and the instrumentals change through the song. In the beginning to about midway through, they have a fast-going death metal sound, then transition into a more melodic one for a small amount of time. However, quickly transition back to the fast-going death metal sound with symphonic elements for the rest of the song. The vocals used are black metal-like high screams and low screams.

The only thing you can notice about this song right away is the poor audio quality, and I think that takes a lot away from the song itself. If the band were to release a new song in the future with better audio quality, I believe it would sound a whole lot better. Other than that, it is a solid song with variety.

Score: 3/5

Subdivisions - Breaking The Fourth Wall [REVIEW]

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Genre(s): Progressive/Hardcore/Power Violence

Breaking The Fourth Wall is Subdivisions first music release of the new year. The EP has six songs and roughly 30 minutes worth of listening materials. There are influences on a few different genres throughout the album, mainly death metal and hardcore. They keep up the same kind of upbeat pace throughout each song, except for two songs; the longest song on the album "Tremors 3" which could be considered an interlude, as it combined melodic instrumental sounds with the band's normal hardcore song, and the fifth song "Leap of a Whale from the Water." 

 

The sound is each song is roughly the same besides the two listed which is a combination of sometimes progressive sounds, chuggy giffs, and or an experimental/mathcore kind of sound. A good example would be the song "Crippler." The vocals through the album seldom change, mainly mid screams and high screams. Overall, the album is okay and is worth checking out.

Score: 2.5/5

Archives of the Dreamer - Loveless [REVIEW]

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Genre(s): Metalcore/Hardcore

Loveless was released in January of this year and is Archives of the Dreamer's debut EP. The band consists of four members and hails from Muncie, IN. This EP has six songs and roughly 20 minutes worth of listening materials.

The second song is "Ultimatum" and it is four minutes and eight seconds long. The pace of the song is upbeat from beginning to end. It varies between a slow and fast pace throughout the song, but is always upbeat. The instrumentals used in the song are mostly the same guitar riffs, except there are some parts for guitar chugging and breakdowns. It is pretty straightforward with its sound. Elijah, the vocalist, keeps to low screams and high screams, but the low screams are the main scream used in the song. Both screams sound very raw. Also, there is a BLEGH thrown in near the end.

The following song is "Your Betrayal" and its the shortest song on the album with it being about three minutes long. Like the previous song, the pace of the song is upbeat and varies between fast and slow paces. The instrumentals stay about the same, but has more melodic and progressive elements (which I like a lot). Elijah's vocals stay about the same as "Ultimatum" as well, except there is a bit more shout-screaming thrown in. 

Loveless is a solid sounding metalcore/hardcore album. Everything works well together throughout the entire album, though it sometimes does get stale with the lack of variety between the vocals, same with the instrumentals. Overall, it's worth giving a listen to and picking it up for your own price on their Bandcamp.

Score: 2.5/5

At Night They Return - At Night They Return EP [REVIEW]

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Genre(s): Deathcore

At Night They Return's self-titled debut EP was released in January of this year. It has three songs and roughly 15 minutes worth of listening materials. The band itself are from Kingsport, Tennessee and consist of five members. At Night They Return bring straight deathcore with this EP and they don't stray from that sound throughout the entire album. This could be a turn off for some, as it lacks variety, but a turn on for the fans of deathcore.

"Anal Bead Rosery" is the second song off their album. The pace is medium going being not too fast or really too slow. Instrumentally it sticks to guitar chugging for majority of the song, with the exception of some breakdowns here and there. The two type of screams used are high screams and low screams, the latter being the main type of scream used. I prefer the low screams over the high screams because they sound more powerful and raw. 

At Night They Return EP is something that the fans of raw, and sometimes fast, deathcore would enjoy. The band keep to the guitar chugging sound for the entire album, except for breakdowns through each individual song. I am a fan of variety, so I enjoy a lot of different sounds, vocals, instrumentals, etc being used throughout a song or album. This is what lacks here. Also, usually bands who are straight deathcore tend to be over-the-top heavy, loud, brutal, etc to have their music standout amongst the sea of deathcore bands. At Night The Return does provide a lot of heavy sounding vocals and instrumentals, but they didn't quite make it to the "over the top" level that fans tend to gravitate to. Overall, the EP is solid and it's worth a listen to and the price tag, so pick it up!

Score: 3/5

Pangaea - Unified [REVIEW]

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Genre(s): Melodic Metalcore/Math

Pangaea's debut release Unified is set to release on March 1, 2014. They sent me an early copy to review, and I am glad that they did. This album reminds me of an old All That Remains, but a bit more heavier and with more melodic and math influences. Unified has four songs and roughly 20 or so minutes worth of listening materials. As of this review, there is nowhere to pre-order the album, but more than likely will be up on their Facebook page on the day of release.

The third song is "Panoptas" and it's about three minutes long, the shortest song off of the EP. The pace of the song is upbeat, with the exception of some parts here and there that are less upbeat and slow. This song has a melodic influence throughout the entire song, and it reminds me of old school metalcore (prior to the popularity of guitar chugging). There are parts with some minor guitar chugging and small breakdowns. The vocals vary from high screams, mid screams, and clean singing. Mid screams are the most used scream and there are very, very good. They sound powerful and raw. The singing is well done as well, not high pitched sounding, and is also in only one portion of the song.

The following song is "Oneironaut" and it's a little over five minutes long. This song is upbeat but is a lot slower compared to the previous song. It is a lot more melodic than the other songs as well, which you can hear from the beginning of the song. There are parts with more riff-age, guitar chugging, and some small breakdowns here and there. There is also a guitar solo about midway through the song, and near the end of the song, it becomes more math-y sounding. Vocally, it sticks to the same as "Panoptas" did, but with more high screams and clean singing. Neither are overdone in the song, and there is a nice balance between the three types of vocals; high screams, mid screams, and clean singing.

Unified is a good and solid metalcore album with influences from math metal and melodic metal. The way Pangaea combines those three types of music is very well done. If you are into old school metalcore, melodic metalcore, metalcore with math metal influences, and so and so fourth, definitely check out this EP when it drops on March 1st!

Score: 4/5

Left To The Wolves - War Upon The Modern Age [REVIEW]

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Genre(s): Deathcore/Death Metal

Left To The Wolves' is a deathcore band from Lexington, Kentucky. War Upon The Modern Age is their debut EP, and it was released on January 12, 2013. The album has five songs and roughly 20 minutes worth of listening material. The sound of the album is pretty straight forward deathcore, with a mix of modern death metal. Also there are some melodic progressive tones here and there between the individual songs. 

"War Upon The Modern Age" is the title song from this EP, and it is the third song on the album. The pace of the song is upbeat and fast, and it never really lets up. It sticks to a lot of guitar riff-age throughout the song, with the exception of some guitar chugging here and there. This song has a nice mix of the two, not one is overdone or underdone, and makes it a lot less boring to listen to compared to some deathcore songs out there. The vocals vary between low screams and high screams, and the low screams are what is used the most in the song. Both type of screams sound good, but the high screams have a black metal-like sound to them. This only adds to how good they sound.

The following song is "The Scars of Time" and the pace of the song is a bit different if compared to the previous song. For the first 40 or so seconds, it is a slow build up, but breaks quickly into an upbeat and fast pace. There is a bit more guitar chugging and overall standard deathcore sound in this song, but they do not stray away from a death metal sound with guitar riffs, blast beats, etc. The low screams and high screams are just as good in this song than the last as well, and the former being used the most than the latter.

War Upon The Modern Age is an album mixed with modern death metal and deathcore. Some of the songs have more modern death, and some have more deathcore. It's the best of both worlds with this album, and that is something I really enjoy. The vocals are good and work well with every song. I definitely recommend you giving Left To The Wolves' debut EP a listen, and if you have a spare five dollar bill lying around, definitely pick it up.

Score: 3.5/5

Invert The Idols - Manufactured Apocalypse [REVIEW]

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Genre(s): Slam/Deathcore

Invert The Idols debut EP Manufactured Apocalypse released on February 4, 2014. It has seven songs and about 20 minutes worth of listening materials. The EP is a mix of deathcore, and slam death metal, so there is something for both lovers of their respective genre. The album is short, each song being around three minutes long, except for the third song. So, you may be able to listen through the album without even noticing you had.

The second song is "Force Fed" and the pace of the song changes a bit from the introduction to the actual song. The introduction's pace is quite slow, but it then turns into a very upbeat and face past, in slam fashion. The pace varies throughout the entire song. The sound of the song has little to no deathcore influence, and it sounds like a pure slam death metal song, which I don't mind. Instrumentally, all that can be heard is blast beats and guitar riffs and not much else. It is a bit slow going in some parts, but faster in others. The vocals used are low screams and high screams, but are very raw and strong sounding. The former is what is used the most in this song.

 

The next song for review is "Kings of Locusts" and it's the fourth song from the EP. The pace of the song is a lot faster than "Force Fed," as from the start it goes straight into a fast paced barrage of brutality. Like the previous song as well, the sound of it is mostly slam death metal with little to no deathcore influence. The instrumentals are roughly the same as well, and the same kind of vocals are used. To sum it up, there isn't much variety from "Force Fed" when compared to this song.

Manufactured Apocalypse is a slam death metal album that lacks variety between some songs, but in others the band changes it up a bit. The difference being that some of the songs sound like slam death metal, and the others sounding more like deathcore (see "Eviscerated and Skinned"). Also, not really about the music but the EP is quite short for seven songs. Overall, Manufactured Apocalypse is a solid slam/deathcore EP that is worth the $5 price tag. So give a listen on their Bandcamp page, and if you have money lying around, pick it up!

Score: 3/5

Ophidius - The Throat of the World [REVIEW]

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Genre(s): Instrumental / Technical Death Metal

Ophidius is a instrumental death metal band, which is inspired by the video game series Elder Scrolls. The album itself is inspired by The Elder Scrolls V: Skyrim. Their 2013 release, The Throat of the World is four tracks in length, and has about 25 minutes worth of listening materials. 

"Where To Hang Your Enemy's Head" is the third song off of this EP. The pace of the song is really upbeat and very fast, from the second you start the song you're bombarded with trash-like sounding technical death metal. The song varies between sounds, sometimes it is extremely technical and sounds similar to Rings of Saturn in some parts. But in other parts, it is melodic, and in others, just straight death metal with a lot of blast beats. Near the middle of the song, there is a progressive sounding breakdown as well.

The following song is "Discerning The Transmundane" and it is the final song on the album. The pace of this song, like the previous one, is really upbeat. It is a bit slower than the previous song as well, but in some parts it matches it in speed. Though the instrumentals in this song are similar in description than "Where To Hang Your Enemy's Head," the song sounds very different. They keep to their technical sounding instrumentals, with some exceptions for some melodic portions, deathcore portions, and some power metal parts here and there. 

The Throat of the World is an album that is had to describe because there is so much to describe about it. The entire album takes the listener on an adventure, similar to what Skyrim does for the player. Each song sounds different, and that is something I really like, because a lot of instrumental albums will keep the same sound throughout the entire album. This is not the case here. To sum it up, this album is fucking good and I recommend you giving it a listen. It's name your price on their Bandcamp page, so you have no reason not to download it.

Score: 4.5/5

Assyria - Ardenti [REVIEW]

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Genre(s): Deathcore

Assyria's first single of 2014 is "Ardenti" and it's a fucking banger of a song. The pace of the song is slow going, similar to what you would hear in a down tempo song, but there are some parts that are a lot faster than others. Instrumentally, it sticks to a guitar chugging type of sound for majority of the song, with the exception of a minor guitar solo in part of the song. There is also a massive breakdown near the end of the song. The vocals used are low screams and high screams, the former being used the most. The low screams are very, very low, raw, and sound like they have a lot of power behind them. The high screams are similar to the low screams in the sense that they are raw and powerful sounding. Overall, "Ardenti" is one hell of a deathcore song, and I recommend any deathcore fan to give it a listen!

Score: 4/5

Conscious Control - Feed The Machine [REVIEW]

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Genre(s): Melodic Death Metal

Conscious Control's debut EP, Feed The Machine, has five songs and roughly 20 or so minutes of listening materials. The EP isn't officially released as of this writing, however, it will be released on February 21, 2014 at their CD release show. Therefore, the songs listed on their Soundcloud are just bits of the full EP, to get a taste of it before purchasing it. Conscious control is a melodic death metal band that hails from Melbourne, Australia.

The first song for review is "Apex." The pace of the song is upbeat, but not overly fast paced. The instrumentals sound very melodic for majority of the song, except there are some breaks here and there. The vocals that are used is high screams and low screams, the former being the main vocal style used in the song. I like the use of the high screams being the main vocal style, because Scott's highs sound better than his lows. But, his lows are good too and are well placed in the song.

The second and final song for review is "Prisoner." When this song is compared to the previous song reviewed, the pace is a bit slower and is nowhere near as fast paced. Instrumentally, it is still very melodic, but with the slower pace, the listener can really hear all the melodic elements and sounds used throughout the song. In the introduction and near the middle of the song, there are purely instrumentals used. The former is a build-up for the actual song, and the latter is a guitar solo. The vocals are roughly the same as "Apex" as well, but Scott doesn't use low screams too much for this song. Like stated before, Scott's high screams sound great and fit well with Conscious Control's sound.

Feed The Machine is a melodic death metal album that provides some awesome instrumentals and fitting vocals. Some of the songs are a bit faster and heavier as others, but that provides a good mix of slow and fast songs for the listener. This EP is Concious Control's first EP, and it sets the pace for the band really well. I highly recommend you checking out Feed The Machine, and picking up the album when it goes up to purchase. It's some really good melodic death metal.

Score: 4.5/5

Species - Pineal Sweat [REVIEW]

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Genre(s): Progressive Deathcore/Groove/Djent

Species' recently released single "Pineal Sweat" is a combination of progressive deathcore, groove, and djent. The pace of the song is upbeat, but slower in some parts of the song. Instrumentally it sticks to the standard progressive deathcore sound, with the exception of some groove near the middle of the song. When I say standard, I mean that the 'guitar twang' sound you normally hear in progressive deathcore/metalcore band is what is mainly heard here. The vocals used are low screams and high screams, and they're both gritty sounding, which I like quite a bit. Overall "Pineal Sweat" is a solid deathcore song, it doesn't stray away from the already established path of progressive deathcore, but solid nonetheless. Pick it up on their Bandcamp page for name your price!

Score: 3/5

Remains of the Tyrant - Filth [REVIEW]

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Genre(s): Death Metal/Deathcore

Remains of the Tyrant's EP Filth is a mix of raw death metal and deathcore, more of the former than the latter. It has six songs and roughly 15 minutes worth of listening materials. It's a tad bit short for six songs, but beggars cannot be choosers.

The third song is "Embalming Fluid." It is an instrumental song filled with grunge-y and raw sounding guitar playing. There is a guitar solo midway through the song. Other than the guitar playing, there are some drums to be heard, but they are subtle.

The fifth song is "Programmed to Slavery" and this song hits you hard from start to finish. The pace of the song very upbeat and fast, kind of similar to the pace of trash metal. Instrumentally, it sticks to guitar riffs and blast beats for the most part. It is a bit technical here and there also. Vocally, the vocalist sticks to high and low screams. The high screams are the main type of scream used, and they're quite high pitched. The low screams are very brutal and raw sounding, which is awesome.

Filth is a very raw, sometimes brutal, fast, and overall heavy album. The audio quality of the EP is okay, but I think with the lack of quality it gives the album a more grittier sound that I enjoy more. The only gripe I have is that the album is pretty short lived with only having 15 minutes worth of materials, but I cannot complain too much as the album is 'name your price.' Other than that, it's a pretty solid death metal album that I recommend you checking out!

Score: 3.5/5

Infinito in Torqueo - Warlord [REVIEW]

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Genre(s): Melodic/Technical Death Metal/Deathcore

Infinito in Torqueo's song "Warlord" is a five minute song and a mix of tech death metal, melodic death metal, and deathcore. The pace is slow for the first minute and a half, but it picks up afterwards into a faster pace. The faster pace stays for the remainder of the song. Instrumentals are what you hear in a death metal song, but there are some trash metal influences heard throughout the song. Also, near the end of the song, it sounds a bit more melodic. Vocally, it is sticks to low screams for majority of the song. The screams are very raw, brutal, and have a lot of power behind them. Overall, this sound is raw, fast, and good. I highly recommend if you're into melodic death metal or technical death metal.

Score: 4/5

Prompts - Vendetta [REVIEW]

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Genre(s): Metalcore/Hardcore

Prompt's single "Vendetta" is a mix of metalcore and hardcore, sometimes sounding similar to deathcore. The pace of the song is steady, sometimes slower in some parts of the song. The instrumentals are mainly guitar chugging with some progressive sounds here and there. Vocally, it sticks to low screams, high screams, and clean singing. All the vocals are well done throughout the whole song. The combination of chuggy instrumentals, steady pace, and good vocals, it makes out for a solid song coming from Prompts. I recommend if you're into metalcore absolutely.

Score: 3.5/5

Soon We Fall - Buried Conviction [REVIEW]

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Genre(s): Metalcore

Soon We Fall's debut song "Buried Conviction" is a three minute song, and sounds similar to what you would hear from a band signed to Rise Records. The band sounds a lot like new The Plot In You on the album Could You Watch Your Children Burn. The pace of the song is upbeat, the instrumentals are basically chugging guitars from start to finish, and the vocals are high and low screams, sometimes layered. There really isn't much left to the song besides that.

Score. 2/5